BAMBII

Toronto-based producer and DJ, BAMBII, makes lush, exuberant electronic music that feels futuristic and transportive but also burrows into your bones, syncing with your heartbeat, reminding you of your physical presence.

Her new EP Infinity Club (released August 4th) explores the tension between the immediate and the conceptual. It’s a celebration of home and belonging—not just as physical places like the dancefloor or her family’s homeland of Jamaica (honored through dancehall), but also as a state of mind.

For BAMBII, the club is a home. She runs JERK, a popular Toronto club night that highlights artists from the Caribbean diaspora—and offers free jerk chicken. “I feel very fed by the people around me whether I know them closely or not,” she says. “I get a lot from community and from a really good night out.”

Infinity Club comes alive on the dancefloor. From the thumping “Body” to the warped dancehall of “One Touch,” these tracks radiate shared euphoria. “Music in public spaces forces an intimacy in us,” she adds. “It’s one of the last things that breaks social rules despite capitalism.”

The concept of an “infinity club” is also symbolic. While creating the project, BAMBII imagined an elderly woman heading to a club who becomes younger upon arrival—an emotional, idealized transformation. “I want to capture the feeling you get when you’re out, a little fucked up, and reality tilts,” she says. “Those moments are fleeting, but real.”

BAMBII’s DJ career began at 23, playing nearly every venue in Toronto and touring Europe with artists like Mykki Blanco. Her experience navigating electronic music’s racialized hierarchies drove her to reject genre rigidity, investing instead in cross-genre collaboration and experimentation.

Raised on reggae, jazz, house, Bollywood soundtracks, and punk, BAMBII blends everything—from hyperpop, UK garage, drum’n’bass, and jungle, to melodic R&B-tinged production. She avoids self-commodification and narrow genre definitions. “This project is the beginning of me telling more complex stories.”

Infinity Club features powerful guests: Aluna’s airy falsetto elevates the sensual “Hooked,” Sydanie’s dynamic flow energizes her interlude, and “Wicked Gyal” sees Lady Lykez twist dancehall around gleaming garage beats.

Dancehall is central—BAMBII’s Jamaican roots pulse throughout. “Caribbean music has shaped global music, but people want to erase that history. Black people playing it are treated like anomalies—when they’re the origin.”

Ultimately, Infinity Club is about community, but also personal freedom. Rather than fitting into rigid boxes, BAMBII shapes her own sonic world—home as dream, ambition, and invitation.